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ed'ogni form Puppets of all kinds, from all over the country, gathered for two days of fun and solidarity, with the collection of funds for 'AIRC (Italian Association for Cancer Research).

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Liolà: yesterday at the Teatro San Luigi Orione

Although the blog has been inactive for a while 'time (for technical issues only partially addressed), the company was certainly not twiddling its thumbs!

And it showed last night, exploding with color, music, and this time with the scents of the earth: in the green and ocher of Olives, the company filed yesterday MediaMusical "Liolà" , Pirandello's original text and translation into Neapolitan Pasquale Cirillo , directed by Liborio Preite.

Liolà 's story is inspired by an episode of Chapter IV of the novel by Pirandello "The Late Mattia Pascal " , written and performed for the first time in 1916 at the Teatro Argentina in Rome . Although it was at war, the imprisonment of her son, the worsening of the mental illness of his wife, the author sees a very playful and cheerful, and the same Pirandello in a letter to his son prisoner, was happy with the his work: " I wrote it in 15 days this summer was my vacation. It's so joyous, that my work does not seem .

The opera starring Neli Schillaci, said Liolà . In rural areas, small in his selfishness and hypocrisy, grandeggia and acts as a subversive element in his Figure panic : a simple laborer who, with no interest in material wealth, lives without hesitation, without even realizing it cheerfully and upsetting, the rules and petty petty modest life of society in which they live.

The peasant society in which one finds this young many resources and the undoubted charm - interpreted as best you could do, Liborio Preite - recalls, in some ways the themes Verga, those with a craving for possession of material wealth, for the land, for stuff.

And it pushes the old stuff Zi '' Ntonio - Antonio Salvoni - to remarry with Rita - Angela Gelardi - for which have an heir to leave all his belongings ... but the child does not arrive ...
So

Lucia - our Maria Pacini - daughter of Zia Cross - Maria Accardo -, scopertasi pregnant Liolà , suggests to his uncle, the Zi '' Ntonio , to attribute the paternity of the child in her womb, thereby silence the evil tongues that they want old and sterile.

This Lucia think of the future and make sure to take revenge not only Liolà , but also Rita old who married the wealthy, creating a position to which she same aspirations.

The plan is well thought out, the poor Rita is out of the house and beaten by her husband.

And here our rules of the offender, the seducer, the Pan sconvolgitore is revealed in reality the only truly good and generous Liolà saves putting pregnant, and reopening a few minutes for a break on their sweet and nostalgic love.

So Zi '' Ntonio Rita resumed at home, preferring this fatherhood, strongly believes that its on that illegal procuratagli Lucia.

In this incident, and alternate mixes piety and wickedness, greed and generosity, joy and calculation ... Pirandello is the end ... and the depth of the content should be hard and tediante Liolà ... yet it is light, almost flying.
fertility, the myth of the Earth, and the fields, happiness are vestiges of a pagan world that seem to be almost laughed and joked until an ending that does not make it to be tragedy, but that is descending.

In a text permeated by a series of country-dances, passions, Marie, and harvests; in a microcosm women, a harem in a world culture and society (the farmer) is going to dissolve, but leaving the legacy of ' interest of' selfishness and grettitudine, the figure of Liolà resolves, lighter, and cheating unravels skeins millennia, is inserted as the only man in a matriarchy that the measure based on what you produce.

are measured in the first place so the vines and almonds, and (reluctantly) is
far as the quality of Rita , producing children is not only good to a servant in house husband; this until it is Liolà to handle the situation, r istabilendo the situation in favor of those who had been unfairly damaged, and against those who used the malice and fraud.



next round and Liolà MediaMusical:

Theater S. Luigi Orione,
Sunday, November 8 - Saturday, November 14 - Sunday, November 15

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The Fellowship of the homeless with the fairy tale "Puss in Boots"

Entertaining evening spent in the company of Bravissimo "Without Roof "

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Until July 2 at the cloister of St. Eufemia, h. 21:20

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Salome, staged until July 2 to S. Eufemia

I am Salome, daughter of Herodias, Princess of Judea ...

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I kiss your lips, Iokanaan ..




How are red those petals! They look like blood stains on the tablecloth. We should not search for symbols in everything you see. It would be better to say that the bloodstains are as beautiful as petals of roses. It would be much better to say so ... But do not talk about these things. Your daughter will dance for me. It is true that you will dance for me, Salome? You promised!

On 28, 29, June 30 and July 1.2 QuartaParete Company presents "Salome" by Oscar Wilde. 21 hours at the cloister of the church of S. Eufemia

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Dreaming the


" The great ship Variety is sunk, overwhelmed by the storm film. Yet from the abyss of the sea where it sank again [...] flickering memories of a genre that enjoyed for decades with different colorings Italy until his fall and to (his own) end. " Salvatore Frasca
This is where our play begins: in the moment following the dismantling of a kind, where you stop looking back and realizing that we have lost in pursuing something. .. starts like a dream, in which flashes of color and music to revive an old theater and variety shows, perhaps ready to accommodate a warehouse, perhaps a small supermarket. And these presences read inhabitants of an area otherwise anonymous, with a shimmering powder puff, revived glitter and sequins, showgirls and singers, forget the commedia dell'arte masks and clothes fluffy. ..

trailed a pair of presenters rehearsed and "very special" is happening on the stage in the theater singers do not sing, wizards improvised, some actors' strolling players and showgirls outside the box, creating a whirlwind of laughter and nostalgia poetry, ancient images but never forget, all wrapped in an air that makes the images a bit 'blurry, but still more colorful, more and more frenzied and alive.

lives up to the end of the dream, when you can just turn on the light and focus to realize that everything that we have seen, heard and believed the truth, nothing remains except the echo of a nostalgic Pulcinella who does not surrender, as the taste of sugar in coffee, which is not seen but it feels more ......

" Archaeology of the present, as some would call it, this is dedicated to artists, orphans of the theaters, are back with their luggage in the dusty road, maybe unconsciously resuming an ancient journey. " Salvatore Frasca

Li Dust off us, then, their sciasse and their vests.
resumed their piripisse and goose feathers.
We go our bustier, we powdered the face well, and we are on the scene.
This time we prefer to laugh.

and laugh at our faults, this one is worse in the past does not mean that we take less seriously.
As we have said, "Who chiagne fuck 'to those who ride, and who is the peak, in Naples, is ominous ...

Carmela Esposito

Thanks to Salvatore Frasca

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Beautiful Elisa's birthday party in the company of gentlemen s work.

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ANNA

Congratulations to our very much alive. neo Dr. Anna to have a degree in Economics and Business Administration. Rating: 110 e lode ... It could be from less than Giampy brother and cousin Elisa??


Thanks for the fun party last Saturday!

About degrees, now lying in wait for the ns. George Best!

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Variety tests and preparations are in full swing ...

May seemed so far away, and instead ...!
In less than a month you go on stage, and this variety is more demanding of what we wanted to believe, reading tests, clothes and soft as large colored Merighi, testing for the songs and this morning also choreographed "choral".


move together about thirty people on stage is not easy, I promise ... Luckily we Armando Gargiulo on our side for the choreography, is already an advantage!

Fortunately we do not lack the spirit, nor the will, even if the Spring does tricks on me, lately: "April sweet sleep," says an old saying, and fatigue is often felt ...


Meanwhile still hard the work of costume designers to dye our clothes, and bring them more vibrant colors, and equally hard-working, set designers are looking for posters, and a good program to vector ... but more, as you might imagine, we can not say, there is a "professional secrecy" to respect, to the benefit of a surprise effect, which we hope will just get everything ready!

Between scene changes quickly, and change the order of the script, even my new role as assistant vice-director continues, even if Liborio has a speed of thought and imagination such as to make it complicated keep up sometimes ..! I guess I'll have

copy "in fine" the director's notes before it is too late, and the chaos that took hold of my script, as we have possession of the laboratory setting since we started work!
soon, with other updates, pictures and (hopefully) at least a few pictures of the scenes being concluded ...

Not that I want you to see the show to pieces, but a bit 'to drink does it take before you start ...!

Carmela Esposito

Upcoming events Company:

"Dreaming of the Variety" Liborio Preite
May 12 to 15 , Theatre SLOrione, Herculaneum

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A Swap for Abruzzo

Thanks to Amelia's blog "AmeliaBefana" , we decided to participate in a swap useful, and less "selfish" of those who are usually the sites of creative crafts and hobbies: a swap for Abruzzo.
is to leave a comment THIS LINK to sign up, then you will be paired with another person, which will send the receipt of a payment made to a charity of our choice (Red Cross, Civil Defence, bank accounts safe ...).
Registration will end April 13, 14 we give the name of the person you are paired and the shipment must 'be done by 18.
Who wants to join can 'already' and make a donation to keep the receipt that will send 'after the combination.

Just a little sometimes ...

CLICK HERE FOR THE LINK

Thanks!

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Preparing to "Variety" ... not to mention things that do not know the meaning ...

"variety [varje'ta]

sfinv.

1 sf
the quality of different things to each other or just different in some particular aspects

3 sf
every single object or individual with characteristics that differ by others of the same species

5 sm
theater of character light consists of numbers of various kinds "


Wikipedia, the voice Variety, says: "The variety theater, or theater arts varies , is a kind of theater of character light up at the end of the nineteenth century Naples as an imitation of Café- Chantant French. [...] The fact variety sinks its roots in the show and performances of folk artists circus of road and singers. [...] disappeared from theaters to join in ' first vaudeville and then in the magazine, which still keeps in television variety shows only the name. "

The native Neapolitan Variety therefore, being the result of what in Naples was a natural absorption and adaptation of French culture: French Naples has been two times in its history (1266/1442 and 1806/1816 ), and for a relatively short period compared to the English domination (lasting a total of almost four hundred years ), but the influence of the Alps has been vast and significant.

engaging in long disquisitions about cultural influences and / or language would be out of context, and moreover require a separate blog!
then I will refer to small samples and short bursts, so as not to arrive unprepared for the confrontation with the script of "Dreaming of the Variety."

Be an example for the theatrical context, the experience of Eduardo Scarpetta, that since 1880, has reinterpreted in the middle-class Neapolitan French farce of the time: we remember, among many others, Mademoiselle Nitouche " Weilhac of Milland and become" 'Na Santarella ", and" La Boule "by Meilhac Halevy and become " 'O Scarfalietto .

French habits are so fashionable in the nineteenth century Naples, in dress, speech and culture of coffee in attendance or not, even for the aftermath of the century Murat.

The figure of the chanteuse (singer from = chanteuse in French) for example, is born in that period , with the emergence of the Variety Entertainment, usually a past built to make ad hoc their presence intriguing and mischievous, they spoke with foreign accents (French, Russian or English for the most part) to suggest that a exoticism that did not belong and boasted of their love stories with the jet-set (perhaps only glimpsed in the audience).

That figure remains entrenched as the typological character of the Neapolitan female, so as to fall right into the mirror of Naples who was the " Carosello Napoletano" Giannini, played by Sophia Loren .

variety of spaces were basically three types: the theater of the first order, where you only recite the artists recognized, and the theaters of the second or third order that they could be salt coffee (café-concert as the Gambrinus Naples ) or theaters real but very popular, and finally all those local where he could be set up at a good stage.
The entrance fee was an artist and the success of the decree only if the public according to his liking: as a sort of rudimentary auditel if the artist was booed this was "reported" on what could be called "record Art "artist with a consequent loss of respect and prestige.

The range then was very different depending on geographical location, because the artists drew much of their own traditions, but is largely structured in a similar way:
the variety show brings together more artists of varying abilities or skill, and the numbers presented were not no connection between them, or thematic or conceptual.
is passed by the Indian magician speck (among many Nicola Maldacea inventor of the genre, Ettore Petrolini and Nino Taranto); chanteuse by the dancers, more or less attractive and good, from end reciter to-change ...

never awarded the title of art, unlike other types of plays, had its recognition in 1913 when he published the Manifesto Marinetti, in which he extolled the novelty of a kind of theater that denying the likelihood preferring instead the spectacular, the Paradoxically, the action and practicality.

Not at all protected by the authorities, and victim of ostracism during the Fascist period (including the forced and imposed nationalism), the variety does not die, but not change, is being reorganized in Review: especially in the interwar years, the Theater Review is a way to dream, to divert thought from the cruelty of war (as in film "Stardust" with Monica Vitti and Alberto Sordi), as when they performed in Showgirl shows for the troops sent to the front in the Great War (see the ' episode of "One day in district court" with Silvana Pampanini). The

-Variety Magazine of the last century has been a bridge, a conduit between two centuries that overlapped and had to communicate.
The transition was abrupt, as it directly into his stomach through the wars, and though the architectural reconstruction, the issue of housing, democracy, 1944 - 1948 are long milestones much more important, the 'Italy is always made by the Italians, and Italians were laughing with the variety before, so now they look like Fiorello on television.

The variety should not be seen as a mere means of entertainment, but more as a ferry cultural types, characters and characteristics of Italy at the turn of the Kingdom and the Republic.

As Eduardo was a verse Ferdinand I of Bourbon, King of beggars and dedicated to convictions and charges, and writing songs inspired by eighteenth-century writing as a weapon of defense, today we laugh at our time. Dust off

sciasse and vest.
Resume piripisse and goose feathers.
We go our bustier, we powdered the face well, and we are on the scene.

prefer to laugh. Also take time. Laughing
of its flaws, this one is worse in the past does not mean to take it less seriously.

"Who chiagne fuck 'to those who ride and those who make the peak, in Naples, is ominous ...

Carmela Esposito

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DEGREE DINNER DINNER GOOSE GOOSE

After several reminders, especially after having found the legendary digital camera, finally published photos of the goose dinner, held at home Duracell about a month ago (hard to remember the exact date after the "coma" of that night ...)

thanks to exceptional chefs Mario & Engineers for their availability!